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Angered that a white soldier was overly amused at the racially charged scenes of Douglas Sirk's film Imitation of Life, Pryor and several other black soldiers beat and stabbed him, although not fatally.In 1963, Pryor moved to New York City and began performing regularly in clubs alongside performers such as Bob Dylan and Woody Allen.His popularity led to success as a comic in Las Vegas.The first five tracks on the 2005 compilation CD Evolution/Revolution: The Early Years (1966–1974), recorded in 19, capture Pryor in this period.I couldn't bear to watch him shiver, so I put my arms around him there in the dark and rocked him like a baby until he calmed down.The next night was the same, and the next, and I rocked him each time.His first comedy recording, the eponymous 1968 debut release on the Dove/Reprise label, captures this particular period, tracking the evolution of Pryor's routine.Around this time, his parents died—his mother in 1967 and his father in 1968.
Another frequent collaborator was actor/comedian/writer Paul Mooney.(1977), Greased Lightning (1977), Blue Collar (1978), and The Muppet Movie (1979).Pryor signed with the comedy-oriented independent record label Laff Records in 1970, and in 1971 recorded his second album, Craps (After Hours).On one of his first nights, he opened for singer and pianist Nina Simone at New York's Village Gate.Simone recalls Pryor's bout of performance anxiety: He shook like he had malaria, he was so nervous.
During the legal battle, Stax briefly closed its doors.